From ‘Inside Out 2’ to ‘Incredibles 3,’ These Are the Pixar Sequels We Still Want to See. Robert Yaniz Jr. More Articles; March 05, 2020. Don’t expect any new Pixar sequels for a while.
It's a good family film but it is far too tense for young kids and there is one scene where a character dies (sort of) and I waited to the end of the credits to see if they came back but they didn't. Of course, it's not a crime to have a character die in a kid's film but the scene was way more sad than it needed to be. However, I LOVED the rainbow unicorn!!
There is a character called Anger who keeps boasting that he knows a swear word but when he says it it is beeped out and you can't tell what he's saying:-). I don’t see why so many people have a problem with this movie. Riley yelled “Shut up” at her parents during dinner because Joy and Sadness were missing and the only emotions she could feel were angry, disgust and fear. I first watched this movie when I was nine in the theater when it came out. I recently watched it again with my brother off of Disney plus. I think this movie is ok for younger kids to watch, but maybe with a parent to accompany them. Other than that, good movie!
Not the best, but good! Inside Out is basically a film about emotions, and when its best to use them. The overall plot wasn't the best and a bit generic if I do say so myself. The humor is dry, unoriginal, and sometimes questionable. The moral, on the other hand, turned out to be much better than what I had originally expected. Another thing that kept me off guard was the whole surface around the film, it felt moody and dark. All the characters outside of Riley's mind, not emotions, turned out to be quite lifeless and forgettable so to speak.
I do not recommend this movie to anyone under the age of 9, its too dark to evince a young kid who is merely requesting to watch a film that is bright and funny, rather than a film that is substantially conveying emotional complexities. In all honesty, you could scrutinize this as a project aimed at critics rather than ACTUAL kids. Perhaps Pixar should be more considerate on entertaining children, rather than trying to get a high-calibered rating. I admire the work put into it, but that doesn't mean I recommend it. All in all I'd give this a 2/5.
Don’t expect any new Pixar sequels for a while.For the past 25 years, has been a beacon of creative, original stories. In an industry so often criticized for falling back on the same ideas, Pixar delivered a string of high-concept family films that proved to be both commercially and critically successful.However, over the years, several times. Toy Story, Monsters Inc., Finding Nemo, The Incredibles, and Cars have all grown beyond one-off projects. In fact, they’ve all become franchises of their very own.While we won’t deny Pixar is at its best with original stories, we still hope the studio gets around to continuing or completing some of its past stories.
Ed O’Neill at the AOL Build Speaker Series Dave Kotinsky/Getty Images Pixar is taking a break from sequels with ‘Onward’ and ‘Soul’ in 2020Pixar previously confirmed 2019’s Toy Story 4 would be, at least for the time being. And Pixar’s upcoming slate confirms that. For the first time since 2017, the studio is releasing two movies in 2020. It’s also been that long since Pixar’s last non-sequel.The first of these, Onward, might be doing great with critics ahead of its March 6, 2020 release. But, it could be fated to become a box office underperformer. But still, Onward lacks the built-in appeal of 2018’s Incredibles 2, the studio’s highest grosser to date.It’s too early to tell how Soul — which — will do, as we’ve barely seen any footage. But it’s not difficult to imagine a world in which both of these films fail to cross the much-desired billion-dollar benchmark.
In that case, Disney might want to pepper some more Pixar sequels into its upcoming slate. A post shared by (@pixaronward) on Mar 4, 2020 at 3:04pm PST These Pixar sequels could further flesh out fan-favorite charactersFor the record, we’re not actively rooting for either Onward or Soul to fail. But it’s a proven fact that audiences are more naturally drawn to the familiar. We certainly don’t want to see too much focus placed on Pixar sequels — enough with the Toy Story and Cars series please — but we do have some thoughts if the studio decides to give us a new sequel or two.The most obvious choice here is to bring writer/director Brad Bird back for Incredibles 3.
After making audiences wait 14 years between installments, the Parr family deserves to complete its trilogy. Moreover, since made $1.2 billion, it’s easily the top of the studio’s list of potential Pixar sequels.Speaking of commercial hits, is the only other non- Toy Story Pixar film to cross $1 billion worldwide. Just as that film was a spin-off of Finding Nemo, we’d love to see the spotlight shift to Ed O’Neill irascible seven-legged octopus Hank.
The character was a standout — visually and narratively — and Finding Hank continues the series’ fresh approach. Just make sure director Andrew Stanton sticks with the series.Beyond those two Pixar sequels, we’d love to see director Pete Docter return to two worlds he created.For instance, we’re still waiting for a sequel to 2001’s Monsters Inc. Pixar prequel Monsters University lacked the same emotional punch and failed to pay off the first film’s heartwrenching final scene. Likewise, we’ve love to see Inside Out 2 explore how Riley’s emotions continue to evolve throughout her adolescence. Essentially, we just want more films from Docter — who also directed Soul — please. But the studio shouldn’t touch some of its perfect standalone storiesAs much as we think Pixar still has some untapped potential for a few more sequels, we certainly don’t want the studio to “sequelize” films that work better as standalone stories.
For example, and one which could only be tarnished by an attempt to make a sequel. The same goes for Up, which features an ending so perfect we don’t want Pixar to touch it.Coco and Ratatouille too work perfectly as one-off stories. The main characters in both films achieve exactly what want to.
So there’s no need to stretch their tales out into subsequent features. As much as asking for more Pixar sequels seems like a misstep on our part, the studio will wind up at some point. Consider our wish list simply an attempt to steer their attention to the characters we want to see more of.